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GOOD WORKS
HOMEGROWN MILITARY TOUR ENTERS A SPIRITED YEAR FOUR
One man
has spent more than a quarter million dollars per year out of his own
pocket to bring major headliners to domestic military bases to boost
morale and say thank you to the men and women of the United States Armed
Forces.
Following 9/11, retired Los Angeles attorney Robert M. Rosenthal and his
wife, Nina, decided they wanted to do something charitable for the
country and discovered a dearth of musical entertainment on U.S.
military bases. Rosenthal searched the web, discovering that the USO,
the private organization formed in 1941 to handle on-leave recreation of
the U.S. Armed Forces, was doing shows oversees but no one was
entertaining the troops domestically. “I could give you a thousand
reasons why no one was doing them, but it’s probably the same reason I
had; everybody thought somebody else was doing it,” Rosenthal told
Venues Today.
Rosenthal, a retired entertainment litigation attorney, was not a known
figure in concert promotion circles, so he turned to Nashville public
relations executive Cathy Gurley, whose clients have included
heavyweights such as Garth Brooks and Tanya Tucker. Gurley is now
national liaison for the tour.
Gurley and Rosenthal invited the movers and shakers of Music Row to
attend a 2003 luncheon during which Gurley introduced Rosenthal and his
concept for The Spirit of America Tour. Rosenthal had gone to the
Pentagon and told them he was willing to fund the tour and take
responsibility for booking and logistics but he needed a representative
from each division of the Armed Forces, including a representative from
the Secretary of Defense’s office, to speak at the presentation in
Nashville. Rosenthal knew it was important to have military
representatives reiterate the importance of entertaining troops at home.
By the end of the afternoon, several agents and managers were enthused.
Appreciating the value of hard working road crew, The Robert and Nina
Rosenthal Foundation, Inc., a California nonprofit corporation, picks up
all expenses. That way, an artist can pay their tour manager, band, bus
driver, the bus lease, etc. while still volunteering to perform. While
reasonable expenses are covered, the performer is a volunteer, “which is
the important part of the morale-building effort we’re doing. It’s much
more important for the military personnel to realize that here’s a group
of entertainers who are there in fact supporting them,” Rosenthal said.
On the booking side, Rosenthal studies the routes of major touring
artists who have expressed an interest in performing. They look at gaps
in the touring schedule and take advantage of days off where no other
options to perform exist.
Once the route and expenses are determined, Rosenthal is ready to
contact his point people at the Pentagon. The agent and performer must
be totally onboard at this point because once the base is contacted,
changes are often made to accommodate the show.
Gurley said the way Rosenthal has set up The Spirit of America Tour,
artists can do something philanthropically without watering down their
market or jeopardizing a day’s pay for the touring personnel.
“Having worked with artists for as long as I have, I know artists could
go broke doing all the things they are asked to do for free,” Gurley
said. “And there has to be a balance because they do have families to
support — and lots of families. They have road managers and band members
and bus drivers who also have families. I think that’s why I love the
way this was set up.”
“Businessman’s patriotism” is what Rosenthal and Gurley like to call it.
“It’s a smart business move and yet it also makes you feel good,” Gurley
said.
One artist to jump onboard right away was Charlie Daniels via his tour
manager Bebe Evans. Daniels told Venues Today, “"The Spirit of America
Tour has provided me and The CDB with a great opportunity to take it to
the homefolks and our troops that are still stateside." Evans realizes
that a date at a base does not interfere with Daniels’ business and it
provides him with an outlet for something that he likes to do, Gurley
said. Travis Tritt was another artist who jumped at the opportunity to
perform for troops but his schedule and routing only allowed time for a
few acoustic shows. Other artists who have volunteered their time
include comedians Carrot Top and Dennis Miller, and musicians Clint
Black, Patty Loveless, Billy Ray Cyrus, Marty Stuart, Joe Diffie and
many more.
Gurley said they are trying to diversify the entertainment to reflect
the diversification in the troops, even though the appeal of country
music has been fairly universal. Jaci Valasquez, who is popular in the
Latin and Christian markets, performed last year. “You’ve seen nothing
until you’ve seen thousands of troops salsa dancing in front of the
stage — including the drill instructor,” Gurley said.
“All of the agencies have been quite active — William Morris, Buddy Lee,
APA — across the board,” she said. William Morris VP Ginger Anderson
told Venues Today, “Robert and Cathy have created a win-win situation.
The members of the Armed Forces get to see great shows while the artists
and those of us behind the scene get that great feeling of giving back.”
At this point, Rosenthal antes up 90 percent of the funding for the
project, though they do accept donations through the
spiritofamericatour.org website.
Rosenthal has, however, turned down some major sponsorship offers,
believing he shouldn’t ask performers to donate time if corporate money
is available.
With the project in its fourth year, Rosenthal and Gurley are at a
crossroads: should this be a year-to-year endeavor or has the time come
to make a lasting commitment? “At the moment, I do everything in
California myself,” Rosenthal said. “If we decided to make it a more
permanent operation, I would then seek more substantial contributions
without getting into the sponsorship area.” He would approach it as
grant money, not marketing dollars.
The Spirit of America Tour has produced more than 45 concerts since its
2002 inception. They expect 16-18 shows this year, again at a cost of
approximately $300,000 per year.
If an artist is interested in performing at a base, their agent or
manager can contact either Rosenthal or Gurley. And the initial Music
Row luncheon has turned into a yearly event, with attendance growing
from the low double digits to about 100 artist representatives.
Rosenthal and Gurley point out that The Spirit of America Tour does not
have a political agenda. It is an entertainment program designed to
support military personnel in the same way one would honor a police
officer of fire fighter. — Suzanne Kayian
Interviewed for this article: Robert M. Rosenthal, (818) 559-2480; Cathy
Gurley, (615) 269-0474; Ginger Anderson and Charlie Daniels via Gurley
Public Relations, (615) 269-0474.
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